The music on here was wholly melodic to the point of perfection. Their aim it seemed here that they achieved a level of success once again; and was more like the "Coma of Souls" of the new millennium. The first few tracks are the most memorable because of the musical rhythms by Mille Petrozza combined with Sami Yli-Sirnio's lead guitar riffs, making the songs sound more intriguing and interesting to listen to. However, the whole album features these kind of rhythm/lead combinations. The main rhythm guitar was very heavy, though all of the songs seemed to flow in perfect grace. The chorus of each track features some great moments, thus including the bridges. These highlights make the tracks very memorable. It isn't just monotonous, stale or bare musical outputs that was encompassed during the bands 1990's era.
Some tracks feature a few clean tone guitar parts as well as clean vocals. They didn't play them on all tracks, just brief points on a few songs. Soon thereafter would enter the heavy distorted guitar riffs. A good example would be on "Replicas of Life." It starts off with a clean guitar/vocal introduction then expands into a heavy yet once again melodic guitar melodies with heavy rhythm overtones. The first three tracks are the most memorable, though each song has key points that keeps you interested as a listener. Twelve tracks on here and clocking in at about sixty minutes in length, no thrash metal listener should keep "Violent Revolution" out of your ongoing Kreator collection. I would stress that you do listen to the first three tracks, as I previously mentioned.
The tempos of each song are varied. There aren't any tracks that are very fast, though the intensity is still exhibited. You could really hear a great deal of double kick drum parts along with slower ones. Everything seemed to flow well from that aspect. The focus here was not only intensity, but originality and melodic guitar overtures. Mille's vocal outputs were very intense. There were some moments to where he exhibited some screaming, especially during the bridge/chorus parts. A good example would be the track "Servant in Heaven - King in Hell." Everything seemed to mesh together in unison.
The only real bad points of the album is the flat production sound and the guitar solos. The mixing of instruments was well despite these shortcomings. There is no doubt that Kreator exhibits utmost talent as far as the rhythm/lead riff sections. But guitar solos aren't very well thought out. If they were better played, the album would deserve a higher rating altogether. Their previous lead guitarist Frank "Blackfire" Gosdzik shredded way harder than Sami Yli-Sirnio and Mille Petrozza in the solos category. It would've made the album to be near perfection if they were stronger from this aspect. Nevertheless, the rhythm/lead melodies make up for this mishap. They should've focused harder than they did with their solos as they did with their rhythms/melodies.
Kreator chose to focus once again on a variety of different issues in the lyrical department. That would include death, politics, religion, society, war and terrorism. These topics seem to be featured on pretty much all of their releases. However, they still are intelligent and interesting to read. They seem to think the lyrics out with an utmost effort. You can understand Mille's vocal outputs pretty well without even reading the lyrical sheets. Anyhow, they're still strong in this department so there are no complaints from this aspect. They don't usually do cover songs at all really. Everything is usually all of their original tracks.
"Violent Revolution" is a must to own if you favor thrash metal played with melodic parts to it. Kreator doesn't seem to copy any other bands' styles. This is a great comeback album of theirs which was extravagantly and elegantly played. It was really admirable and well exectuted. This album for me can be one that you can give it numerous spins without really getting sick of hearing it. Mille's vocals/rhythms, Sami's lead melodies, Christian's bass guitar parts and Ventor's drum outputs were very well played. It's really admirable that they decided to come back with more memorable thrash metal that was solely their trademark during their earlier days.